Across 110th Street playlist for 04/23/2016

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Sexy Dancer
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America; Condition of the Heart
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Ronnie, Talk to Russia; Let's Work; Annie Christian
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Baby I'm a Star
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I Wonder U; Under the Cherry Moon; Do U Lie?; Anotherloverholenyohead
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Little Red Corvette; Delirious; Let's Pretend We're Married; DMSR; Free; Lady Cab Driver; All the Critics Love U in New York
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Dirty Mind; When You Were Mine
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Starfish and Coffee; Hot Thing; Play in the Sunshine; Housequake; Ballad of Dorothy Parker
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Batman
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The Gold Standard; U Know
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Can't Stop This Feeling I Got; New Power Generation; We Can Funk
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Today's afternoon pre-emption honors the legendary PRINCE (1958-2016).

" In general, artists forge one of two career paths for themselves early on. Either they reject the world in order to become the romantic hero of their own imagining, or they embrace the real, transmuting what they find in the streets and in people’s homes into tales an audience can readily identify with. Growing up, Prince did both. And he used urban black music and black gay attitude as it filtered through and got mixed up in his predominantly white Midwestern environment to express his quintessentially American self. And it was this self—which, visually, at least, he played as male and female, gay and straight, black and white—that Prince used to remake black music in his own image.

To enter Prince’s world, then, was to know that rules, racial or otherwise, were self-imposed and self-limiting. As Prince sang in his 1981 hit “Controversy”: “I just can’t believe/ All the things people say/ Controversy/ Am I black or white?/ Am I straight or gay?/ Controversy/ . . . . Some people wanna die/ so they can be free.”

- Hilton Als, from I Am Your Conscious, I Am Love

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