Program:
Springsville
The Maids of Cadiz
The Duke
My Ship
Miles Ahead
Miles (AKA Milestones)
Billy Boy
Straight, No Chaser
Prayer (Oh Doctor Jesus)
Fishermen, Strawberry, and Devil Crab
My Man's Gone Now
It Ain't Necessarily So
Here Come De Honey Man
I Loves You, Porgy
There's a Boat That's Leaving Soon For New York
So What
Flamenco Sketches
Concierto de Aranjuez
Basin Street Blues
Seven Steps to Heaven
Walkin'
On Green Dolphin Street
'Round About Midnight
Prince of Darkness
Pee Wee
Masqualero
The Sorcerer
Nefertiti
Fall
Hand Jive
Mademoiselle Mabry
Shhh/Peaceful
Bitches Brew
On Friday, April 18, 2010, WKCR began broadcasting in stereo for the first time since 9/11. To celebrate this upgrade, this Sunday's Jazz Profiles surveyed the stereophonic recordings of Miles Davis, whose recordings highlight the best that stereo has to offer. We began with a look at Davis's collaborations with composer, conductor, and arranger Gil Evans (Miles Ahead, Porgy and Bess, Sketches of Spain), compared side-by-side with Davis's experiments with modal jazz with his first great sextet (Milestones, Kind of Blue). We then transitioned through the early sixties, tracing the formation of Davis's second great quintet (Seven Steps to Heaven). We then listened to a number of recordings from the second great quintet (Live at the Plugged Nickel, Sorcerer, Nefertiti) and then from his transition to his electric period (Filles De Kilimanjaro). Finally, we heard two recordings from Davis's electric period (In a Silent Way, Bitches Brew), ending our profile of the stereophonic music of Miles Davis.
Department:
