An exploration of 19th Century Russian artistic identity. Looking at the creations of Borodin and Pushkin, we examined questions of foreignness, Russianness, exoticism, and nationalistic hostility, all the while comparing the composer's opera, Prince Igor, to the author's extended poem, "The Captive of the Caucasus." Personnel for the opera: Ivan Petrov as Igor Svyatoslavich, Tatyana Tugarinova as Yaroslavna, Vladimir Atlantov as Vladimir Igoryevich, Artur Eisen as Vladimir Galitsky, Alexander Vedernikov as Konchak, and Yelena Obraztsova as Konchakovna.
A Renata Tebaldi Tribute. Featuring guest host Stepan Atamian.
Il Trittico-Tebaldi, Del Monaco, Simionato, Merrill, Corena. Lamberto Gardelli conducting the Orchestra e Coro del Maggio Musicale Fiorentino
2) Don Carlo-Bergonzi, Tebaldi, Christoff. Sir Georg Solti conducting the Orchestra & Chorus of the Royal Opera Chorus. Act 5.
3) La Boheme-Bergonzi, Tebaldi, Bastianini. Tullio Serafin conducting the Orchestra e Coro dell'Academia di Santa Cecilia, Roma. From "Si, mi chiamano Mimi" to the end of Act I
Leos Janacek, Fate: Míla (soprano) - Magdaléna Hajóssyová; Zivny (tenor) - Vilém Pribyl; Mîla's Mother (mezzo-soprano) - Jarmila Palivcova; Doubek/as a little boy (soprano) - Milena Jílková; Doubek/as a student (tenor) - Josef Skrobánek
Manuel de Falla, Atlántida: Spanish National Orchestra
Description of Jacint Verdaguer's poem that inspired Atlántida from symphonyinc.org : The submersion of Atlantis created the Atlantic ocean, thus separating Spain and Latin America, later the Spanish discovery of America reunited what had always belonged together.